A thing of beauty, they say, is a joy forever. Precisely for that reason, long before Hansa Designs officially formed, those who were involved in the first tentaive dance drama stagings of the Temple of Fine Arts, were keenly aware of the intimate interplay of the many aesthetic factors … colours, lights, music, props, dialogue voiceover, brochures and most importantly ambience - all these were meticulously attended to, and the awe and adulation from the unsuspecting public that followed the presentations, were not altogether unexpected.

Many times thereafter in the subsequent stagings of other dramas, such details were refined and the collected experiences indicated, the opportunity for the formation of yet another department - the Hansa Designs. In strange ways too, there were some uniquely qualified professionals who, attracted to Swamijis ideals, undertook the operation and management of the venture.

The objective, as with all the other departments, revolve around the ideals of service done with love. With Hansa Designs the core competency would be its projecting power, employed to embellish and unleash the beauty of this message conveyed through the media of print, audio and theater.